Playback 7
Editing 10
Timeline 6
Pages 6
→ Related guide: Coming from Premiere Pro? Shortcut mapping guide
Complete DaVinci Resolve keyboard shortcuts. Editing, color grading, fusion, and sound shortcuts.
→ Related guide: Coming from Premiere Pro? Shortcut mapping guide
Resolve inherits the editing industry's JKL convention: L plays forward, J plays in reverse, K stops — and pressing L or J repeatedly stacks up playback speed, so review happens at 2x or 4x without touching a menu. Left/Right steps a single frame for precision, Shift + Left/Right jumps ten, and Up/Down hops between clips. Space remains the plain play/pause for when one hand is on the mouse.
Three-point editing is all function keys. Mark the source range with I and O (clear it with X), then choose how it lands on the timeline: F9 inserts, pushing everything downstream later; F10 overwrites, replacing what is under the range without moving anything; F11 replaces a clip outright and F12 fits the source into a gap by retiming it. The insert/overwrite distinction is the one to internalise — one changes your program's length, the other does not.
The timeline has tools you wear: A for selection, T for trim, B for blade mode, Y for dynamic trim. For a single cut, though, you rarely need blade mode — Ctrl + B slices at the playhead, and Ctrl + \ cuts through every track at once. Shift + Z toggles between your zoom level and the whole timeline fitted to the window, and Shift + 1 through Shift + 6 jump between Resolve's pages: Media, Edit, Fusion, Color, Fairlight, Deliver.
Resolve routes keys to whichever panel has focus — if the viewer or a browser panel holds focus, timeline shortcuts go nowhere. Click once in the timeline and try again. M for a marker is a quick test: if no marker appears, focus is elsewhere.
F9 (Insert) opens a hole at the playhead and pushes everything after it later — total program length grows. F10 (Overwrite) stamps the new material on top of what is there — length is preserved. Cutting to music or a locked runtime, you will live in Overwrite; assembling a first rough cut, Insert.
Tap L again while playing — each press raises the forward speed, and J does the same in reverse. K stops instantly. It is faster and more controlled than dragging the playhead, and it works identically in the source viewer and the timeline.
Usually not. Ctrl + B cuts the selected track at the playhead and Ctrl + \ cuts all tracks, both from within normal selection mode. Reserve B (blade mode) for click-cutting many arbitrary points, and return to A before you start dragging clips so you do not slice by accident.
Cmd replaces Ctrl: Cmd + B for blade, Cmd + \ for blade-all. The letters — JKL, I/O, page jumps on Shift + 1–Shift + 6 — are identical on both platforms.
Open your assistant with this page preloaded as the source — great for follow-up questions like "which of these work in other apps?"